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Listings for Bibliography can be submitted to info [at] frequencyoz.com.au



Acknowledging the legacy of Australian radio art ...


Australian radio art bibliography:


Australian Broadcasting Corporation, ABC Classic FM. "The Listening Room

                    (Archived Website)."  http://www.abc.net.au/classic/listeningroom/


Black, Colin. “An Overview of Australian Radiophonic and Radio Art Practices,” World New

                    Music Magazine No. 20, 2010, International Society for Contemporary Music.

                    ISSN: 1019-7117.


_________. “An Overview of Spatialised Broadcasting Experiments With a Focus on Radio

                    Art  Practices,” Organised Sound, Volume 15 No. 3, 2010


_________. “Radio Art: An Acoustic Media Art Form,” 4th Media Art Scoping Study

                    Symposium, 4th July 2009, Melbourne. ISBN: 978-0-9807186-0-7.


_________. “Radio Art: Broadcast or Outcast,Music Forum. Journal of the Music Council

                    of Australia, Vol. 15 No. 2, FEBRUARY - APRIL 2009. ISSN 1327-9300.


_________. “Is Anyone Listening,” RealTime issue #84 April-May 2008.


_________. “Radio Art: The age of the ‘Bunker’ Artist, Digging in Deeper, Spreading

                    Thinner ... ,Vital Signs: Creative Practice & New Media Now. Melbourne:

                    RMIT Publishing, 2005. EISBN: 1921166118.


DeLys, Sherre.  "Out There" in Reality Radio: Telling True Stories in Sound. Editor John

                    Biewen, coeditor Alexa Dilworth, University of North Carolina Press 2010. 

                    ISBN 078-0-8078-7102-7


Gaton, Andrew. “Drifting” in Re-Inventing Radio Aspects of Radio as Art. Edited by

                    Elisabeth Zimmermann Hiedi Grundmann, Reinhard Braun, Dieter Daniels,

                    Andreas Hirsh, Anne Thurmann-Jajes. Frankfurt am Main: Revolver, 2008.


Harrison, Martin. “ 'Our ABC' - A Dying Culture: One Way Forward in Arts Programming.”

                    Platform Papers, no. 1, Edited by Dr. John Golder. Strawberry Hills, N.S.W.:

                    Currency House, 2004.


Helyer, Nigel. “Snap, Crackle and Pop; On listening, memory and amnesia,” Sonicobjects

                    blog. http://www.sonicobjects.com/index.php/texts/more/snap_crackle_pop/


Inglis, Kenneth Stanley, and Jan Brazier. This Is The ABC: The Australian Broadcasting

                    Commission, 1932-1983. Melbourne: Melbourne University Press, 1983.


Kesteche, Natalie. “Unreality Radio” in Reality Radio: Telling True Stories in Sound. Editor

                    John Biewen, coeditor Alexa Dilworth, University of North Carolina Press 2010. 

                    ISBN 078-0-8078-7102-7


Madsen, Virginia. “Written In Air: Experiments In Radio.” in Experimental Music: Audio

                    Explorations in Australia. Edited by Gail Priest. UNSW Press, 2008.


_________. “Cantata of Fire: Son et lumière in Waco Texas, auscultation for a shadow play.”    

                    Organised Sound, Volume 14 No. 1, 2009


_________. “A Call to listen: the 'new' documentary in radio—encountering 'wild sound' and      

                     the 'filme sonore'.” Historical journal of film, radio and television, Vol. 30, Issue 3

                     (2010), p.391-410.


McLennan, Andrew. "A Brief Topography of Australian Sound Art and Experimental

                    Broadcasting." Continuum: The Australian Journal of Media & Culture 8, no. 1

                    (1994): 302-17.


Mortley, Kaye. “Around Naxos: a radio ‘film’ ... “ in Experimental Sound & Radio. Edited by

                    Allen S. Weiss, TDR Books. Cambridge, Mass.: MIT Press, 2001.


Ravlich, Robyn. "Sound Signatures." Sounds Australian, no. 52 (1998): 24-25.


_________. “Antipodean Sounds” Transom website http://transom.org/?p=283


Richards, Donald. "The Creative Ear: The ABC's the Listening Room and the Nurturing of

                    Sound Art in Australia." PhD diss., University of Western Sydney, 2003.


Rose, Jon. "A Radio Affair: Reflections on a Lifetime of Radio." Resonance, vol. 5, no. 2

                    (1997): 28-30.

                    http://www.jonroseweb.com/c_articles_radio_affair.html


_________.“Listening to history: some proposals for reclaiming the practice of music”

                    9th Annual Peggy Glanville-Hicks Address 2007

                    http://www.jonroseweb.com/docs/pgh_address2007.pdf 


Save Our ABC: The Case for Maintaining Australia's National Broadcaster. Edited by Morag

                    Fraser and Joseph O'Reilly. South Melbourne: Hyland House with Friends of the

                    ABC, 1996.


Sieper, Kate. “Broadcasting the Outback” in Radio Territories. Edited by Erik Granly Jensen

                    and Brandon LaBelle, Errant Bodies Press, Los Angeles/Copenhagen, 2007.

                    ISBN: 978-0-9772594-1-0


Zurbrugg, Nicholas. "Sound Art, Radio Art, and Post-Radio Performance in Australia,"

                    Continuum : The Australian Journal of Media & Culture 2, no. 2 (1989): 26-49.


Zweig, Ellen.””Merchant Erotics [Sydney]: a performance for radio,” in Experimental Sound &

                    Radio. Edited by Allen S. Weiss, TDR Books. Cambridge, Mass.: MIT Press,

                    2001.





Australian radio art discogragphy:


Bandt, Ros, Elwyn Dennis, Robert Iolini, Shaun Rigney, Cathy Peters, and Andrew Yencken.

                    The Listening Room: Double Exposure. Sydney: ABC Music, Australian

                    Broadcasting Corporation 7243 8 23471 2 5, 2 x CD, 1997.


Bandt, Ros, Ion Pearce, and Andrew Yencken. The Listening Room: Beta. Sydney: ABC

                    Music, Australian Broadcasting Corporation 4797612, CD, 1994.


Burt, Warren. Four Works for Radio (1982-83): Scarlet Aardvark Records (self-published).


Chopin, Henri, Jonathan Mills, and Bill Seaman. The Listening Room: Delta. Sydney: ABC

                    Music, Australian Broadcasting Corporation 4797592, CD, 1994.


Mummé, Peter, Peter Schaefer, Robert Douglas, Jon Rose, Michael Hannan, and Sydney

                    University Experimental Sound Studio. Radiophonic Tape Compositions.

                    St. Leonards, NSW, Australia: MBS Records, 1 sound disc : analog, 33 1/3 rpm,

                    stereo,12 in., 1985


N.B. Also see the Australian Music Centre library for broadcast recordings (air checks) of ABC Classic FM’s The Listening Room programme.







 

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